1.02 The Gear Guide

Sound

If you don’t have sound, you don’t have a film. Greg gives us the lowdown on recording sound for a documentary.

Filmed on Lumix G by Panasonic
Production process:
Part of Kit Room series

More about the LUMIX GH5:

Given the compact size of the GH5 and GH5S it is not possible to fit professional XLR inputs into the body itself, but the handy XLR adapter sits in the hot shoe and allows you to connect your XLR microphones to record audio directly into the camera.

Recording audio and footage together ensures that an editor’s job is made easier, and the turnaround time of your project can be optimised.

Find out more in our Kit Room

Gh5 Shot 4 Large
Advertisement

Continue Module

Kit Room:

Camera Basics

Greg runs through the basics of setting up your camera and choosing your lenses.

Kit Room:

Lighting

Greg takes us through a few essential basics that should ensure your documentary is lit.

Kit Room:

Shooting B Roll

Greg highlights the considerations every filmmaker should have in mind to ensure good coverage for their documentary.

Kit Room:

Shooting From A Car

Shooting from a car is a great way to bring dynamic images to your film. Greg advises how to achieve the best shots.

Kit Room:

Sound

If you don’t have sound, you don’t have a film. Greg gives us the lowdown on recording sound for a documentary.

Kit Room:

The Gimbal

A gimbal can elevate the production value of your shots, but it brings challenges. Greg gives a demo with the Lumix GH5.